The Obsidian Air Jordan 15, Reviewed

The obsidian Air Jordan XV is, to our eyes, the colourway that makes the strongest case for the shoe. It arrived in 2000, following the original black and varsity red, and got a faithful retro around 2017 — billed at the time as its first true return. Deep blue with silver-toned trim does something for this silhouette that neither high contrast nor pure blacked-out treatments manage.

This is a review of a colourway, which means it’s partly an argument about taste. We’ll show our reasoning.

Why deep blue suits this shape

The XV’s problem is unbroken surface area. The silhouette is one large, swept, forward-leaning form with minimal panel lines — that continuity is the design’s whole point, and it’s also why the shoe can read as a shapeless mass in photographs. Any colourway either helps the eye read that form or leaves it as a blob.

Dark, saturated blue reads as depth rather than void. Pure black flattens the shape; the eye can’t find the contours and the shoe becomes a silhouette rather than an object. A very dark blue keeps enough tonal information for the form’s curves to register, and it does so without introducing panel-level contrast that would fight the continuity. Obsidian sits precisely in that band.

The weave earns its keep here. The woven Kevlar-infused upper has a directional sheen that changes with the light, and a deep blue shows that off far better than black does. In person the surface shifts subtly as you walk; in the photographs that decided most people’s opinion of this shoe, none of that survives. This is the colourway most damaged by product photography and most rewarded by seeing it on foot.

Silver-toned trim does the structural pointing. Small bright accents at the eyestay and heel tell the eye where the shoe’s structure is without breaking the surface into panels. It’s a restrained solution to the same problem that the shoe’s late-2000s retro wave tried to solve with laser-etched detailing — and, we’d argue, a far better one.

How it compares with the OG

Black and varsity red is the historically important pair; obsidian is the wearable one. The original late-1999 colourway is the shoe’s face and carries the launch story, and we cover it in its own review. But red on a form this large is an assertive amount of red, and it commits an outfit in ways obsidian doesn’t.

Obsidian is easier to live with. Deep blue behaves almost like a neutral in practice: it goes with more than red does, it doesn’t announce itself from across a street, and it lowers the temperature of a shoe whose shape is already shouting. If you’re worried about how hard the XV is to style, this is the version that makes it easiest.

Neither is the “correct” choice. The OG is the more meaningful shoe and the obsidian is the more usable one. That’s a real trade, not a ranking.

The 2017 retro, honestly

Faithfulness was the point. The XV’s earlier return around 2007–2008 leaned into new looks rather than reissuing the originals, which left the original colourways unaddressed for a long time. The late-2010s obsidian retro was treated as the shoe finally coming back as itself — which is why it matters more to XV enthusiasts than a numerically larger retro run would.

It is the most practical XV to own, and still an old shoe. A pair from around 2017 is nearly a decade into its life. That’s better than the alternatives — the originals are a quarter century old and the late-2000s retros are pushing two decades — but it is not new. Foam and adhesive degradation runs on the calendar, so every check in our durability guide applies: production date on the size tag, gentle midsole flex, glue lines, Zoom units, entry-point fabric.

Expect the standard XV experience, not an improved one. Faithful means faithful: the same sleeve fit, the same heat, the same firm low ride, the same entry wrestling match on a fresh pair. A colourway review can’t fix the model’s characteristics and shouldn’t pretend to.

Who this colourway is for

  • Anyone who wants an XV they’ll actually wear. Obsidian is the least demanding version of a demanding shoe.
  • Anyone who cares about the weave. It shows the material’s texture and sheen better than any dark alternative.
  • Anyone who finds the OG’s red too much. Entirely reasonable, and this is your answer.
  • Anyone who wants the design as designed. A faithful reissue of an original colourway is the closest thing to the 2000 shoe that you can sensibly put on your feet.

Who it isn’t for: anyone who wants the historically definitive XV. That’s the black and varsity red pair, and no argument about tonal harmony changes it.

Bottom line

The best-looking Air Jordan XV, and the easiest one to own. Obsidian solves the shoe’s specific visual problem — an enormous unbroken form that needs depth without fragmentation — better than black, red, or busy multi-colour treatments do. The faithful late-2010s retro made it available in a version recent enough to wear and honest enough to represent the original design.

If someone told us they wanted to understand why anyone likes this shoe, we’d point them at an obsidian pair in daylight, on a foot, rather than at any photograph ever taken of one. Half the XV’s twenty-five-year reputation problem is that almost nobody has done that. The whole polarizing argument looks different from that angle.

Jordan15.us is an independent editorial site with no affiliation with Nike, Inc. or Jordan Brand. We sell nothing; colourway preferences are opinions, freely admitted as such.